Pareidolia Klein stack

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By Claire Jackson
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£1,200.00

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Dimensions (HxWxD):

45.5 × 13.5 × 6 cm

Materials:

Polycaprolactone plastic, Kleinish blue acrylic

Primary Medium:

Sculpture

Small
2022
Signed on Back
Ready to display
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These sculptures are some of Claire’s first pieces created specifically as part of a collection of works incorporating colour, and exploring the relationship between form and colour. This piece is evocative of the human form and the phenomenon "Pareidolia" the scientific term for the tendency to see human faces in patterns and objects. Thought to be an inverted evolutionary trait to help with how we evolved socially as a species. Much like the deconstruction and human figure in works like Henry Moores reclining figures. This Anthropomorphic stack sculpture is comprised of arranged simplistic shapes like those of Primitive Artworks created by ancient civilisations and can be perceived as a figure with a. head and a face. This piece as it was constructed started to resemble a face and resulted in a sculpture which is full of character and life. Claire specifically chose to explore the connotations of a Klein ultramarine shade of Blue for its visual impact and its velvet like texture, in her Picasso esq blue collection. Blue has been an iconic colour in art history for its quintessential beauty, conveying meaning and feelings. Blue is actually very rare in nature, only a limited amount of flora and fauna contain blue pigment. It’s rarity and affect on the human psyche has been Idolised assumably since our first interactions with the colour and It has observably shaped art history, adorning some of the most iconic and coveted works of art. Science has assisted in the development of colours, expanding upon the traditional creation methods culminating in this artworks super matte, high pigment paint. These ‘Stack’ sculptures, are not only the vessels of colour, but abstract minimalist pieces exploring gravity defying harmonious compositions. Using the surreal properties of Her signature medium, Claire has sculpted works around balance, not only of the gravitational kind, but also the visual weigh of the piece, and crafting sculptures she felt aesthetically pleasing. These new style of structural, geometrical, rectilinear works emerged from the artist during the pandemic. The artist felt that it resonated with her need to express certainty in a time of uncertainty. Using abstract geometric forms as a contrast to her usual distinctive flowing organic biomorphic works. Claire sought to refine her new artworks in objective compositions of truth and certainty, whilst still being shrouded in abstraction.

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