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Nicola Bonney

University of Portsmouth (BA (Hons) Contemporary Fine Art , 2014)

British Artist Nicola Bonney specialises in oil on canvas, producing original paintings and fine art prints. She is continuously inspired by her surrounding natural landscape and the colours and forms that are created within nature.

A fierce love of painting and creativity saw her graduate from the University of Portsmouth in 2014, with a Bachelor of Arts in Contemporary Fine Art. Nicola continues to develop her practice from her home studio in the East Sussex countryside, selling to collectors worldwide.

China Jordan

Wimbledon College of Art (Fine Art: Painting , 2014)

I am primarily a Figure and Portrait painter but I have also done a series of Landscapes. My medium of choice is oil paint, but I am confident with many other materials. Originally from Grimsby, I now live and work in London as an 'Events Co-ordinator' in the daytime and waitress in the evening. Often I am asked to do portrait commissions for friends and members of the public. I have more work on my personal website.

Lachlan Goudie

Camberwell College of Arts (BA Hons Fine Art , 2012)

Lachlan Goudie was born in Glasgow, Scotland, in 1976.  After studying English Literature at Cambridge University he received the Levy-Plumb scholarship, a yearlong painting residency at Christ’s College.

Jonathan Barber

Edinburgh College of Arts (Drawing and Painting BA (hons) , 2008)

Jonathan Barber, a contemporary artist from Edinburgh, Scotland creates atmospheric abstracted work based around light, darkness, shape, movement and presence.

After graduating from the School of Drawing and Painting at Edinburgh College of Art (2008) Jonathan has continued to make and exhibit work as well as teach Art and Design at Primary, Secondary and College level.

Rachel McBride

Other (BDes Design and Communication , 2009)

Rachel is an Abstract Artist, living and working in County Down, Northern Ireland. The phenomenon that subject matter could be neglected for a world full of thought and emotion, where our subconscious is given a paintbrush. 

Lee Herring

University of Chester (Bachelor Of Fine Art , 2009)

Lee Herring is a contemporary painter specialising in colourful, textured and abstracted landscapes.

Exhibitions

Awards

Winner 2018
Visual Art Open Visual Art Open Nominated For 2017
University Of Chester Winner 2009

Gina Langridge

Other (Ba (Hons) Ceramics and Glass , 2013)

I've always been obsessed with art and horses, so it comes naturally to me to combine the two. I started drawing horses when I was old enough to hold a pencil and it escalated from there! I've mostly been known for my paintings, but I completed my foundation diploma in ceramics at Wimbledon College of Art and then my BA (Hons) degree in ceramics and glassblowing at Buckinghamshire New University. Glassblowing is truly addicitive and I love experimenting with different techniques and colour variations.

Beth Nicholas

University of the West of England (Textile Design , 2012)

Beth Nicholas began her journey while studying Textile Design at The University of the West of England. She graduated in 2004 and started her career in London where she worked in costume for film, television and theatre. In 2009 she was offered a post as artist in residence at Wycombe Abbey, giving her the ideal opportunity over the following two years to further develop her potential as a fine artist.

Beverley Gene Coraldean

Norwich University College of the Arts (MA Moving Image and Sound , 2015)

 

Beverley Gene Coraldean is solely a drawer with a passion for quality of line, detail and space. She illustrates, animates and creates bold and detailed cityscapes.

 

Philip Buckingham

Royal College of Art (MA Architecture , 2016)

I am interested in portraying architecture and its surroundings- the junction of nature and the man-made. I like to depict buildings as a representation of a point of time, an opinion or even a lost tradition.

The current state of the architect's role in industry influences me. Buildings have and always be made by our hands. Yet the industry heavily relies on computer and CAD. I want to show buildings not as products and realised computer models but as moments in time, extensions of ourselves and of nature.

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