Lady Carr, Countess of Bedford 1640: van Dyke's thoroughly modern mistresses

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By Helen Gørrill
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Dimensions (HxWxD):

52 × 46 × 5 cm

Materials:

Oils, lipstick and collage on archival paper

Primary Medium:

Painting

Medium
2017
Signed on Front
Ready to display
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One of new vandalised masters series. Transcription of Van Dyck's 1640 portrait of Lady Carr, Countess of Bedford, created from oil paint, lipstick and collage. The collage used includes photographed Parisian graffiti, Japanese street style and adult magazines. All sealed with matt varnish and set in a bespoke premium frame. Works are framed upon purchase, to enable the collector to select either a heavy black frame, or a more contemporary deep profile white frame with broad mount. Please see images provided - all frames are handmade, of premium quality with an archival framer, and made to order. Sizes White frame and mount 46 x 52 x 5cm Black frame 36 x 42 x 5cm Image: 27 x 20cm This is a reappropriation of a baroque female portrait, questionning time and social status - our accident of birth. The works revive the art historical female through paint and contemporary urban collage, exploring meaning through our ancestry and the barrage of images we are bombarded with daily.

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