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Signature Art Prize - People's Choice

Jerwood Drawing Prize

Young Poland

Pollock-Krasner Foundation grant

Malgorzata Dawidek

Slade School of Fine Art (PhD , 2021)

Malgorzata Dawidek is a visual artist, writer and art historian (PhD). Currently she has been conducting PhD practice-led research at the Slade/UCL. Her artistic and academic interests cover the visual arts, literature and certain medical matters. Dawidek's practice is focused on the conflict between the condition of the human body and discursive language. It addresses aspects of corporeality as a continuous narration, a text ‘in process’, which she describes as bodygraphy.


Winner Thu, 02/13/2020
Winner Tue, 01/10/2017
Nominated For Tue, 08/09/2016
Winner Sat, 01/01/2011
Winner Thu, 01/01/2004
Winner Thu, 01/01/2004
Polish Ministry of Culture and National Heritage grants Polish Ministry of Culture and National Heritage Winner Tue, 01/01/2002


Publication Title Job Title Date
Romantyczne BDSM w Muzeum Narodowym Thu, 05/09/2019
(Samo)zamkniecie w chorobie Wed, 05/01/2019
The Art of Being Sick Wed, 05/01/2019
A Massochist Contract. Representations of Illness in the Strategies of Selected Polish Contemporary Artists Mon, 04/01/2019
The Body As Their Canvas Tue, 05/01/2018
Caressing History – A Draft For Body Based Historiography Tue, 05/01/2018
Caressing History: Draft for a Body-based Historiography Sun, 04/01/2018
Textual Caves: Expanding Literary Writing Space Sun, 11/19/2017
Filozof w krainie nieczytelności Sun, 10/22/2017
Nieczytelnośsc konteksty pisma i palimpsesty (czyli o uczytelnieniu nieczytelnosci przez kuratorkę) Sun, 10/22/2017
Queering Poland in London. Starting from the century of Polish women’s movement, and the LGBTQ politics to Polish art in London and Brexit Fri, 10/20/2017

Signature Art Prize

Stelian Blagoslov

. (B..A. , 1989)

I am Romanian metal artist, in love with shapes and volumes, eager to express himself in a minimalist style by capturing the most intimate feelings of human nature. Obsessed with volumes and shapes details, each new piece is a challenge that drives me until the last hammer blow. With every work I create I try to transform cold metal in human and natural feelings. I made contact with art at Art School of Baia Mare - Romania. Given the fact during the communist regime art was not a lucrative option, I decided to study metallurgic engineering and that was my first appointment with metal.

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