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Louise M S Morgan

Coventry University (Masters Degree in Fine Art )

My work was once described as like “jazz” by a lecturer at university ... a seemingly unconnected, random series of images when viewed singly but, when viewed as a whole, create a holistic body of work that inexplicably are recognisable as my work

 

I create what inspires and moves me in a way that best expresses the soul of my subject.. the essence

Caroline Pick

Central Saint Martins College of Art and Design (BA Fine Art , 2012)

CAROLINE PICK

ARTIST’S STATEMENT 2009

Jackie Morris

Bath Spa University (MFA Fine Art, 2007 , 2007)

In this body of work I have re-focused on my approach to abstract painting. The main images are taken from reproductions of art historical paintings. The human figure is removed, allowing the fabric and its folds to take centre stage. I have studied both historical and contemporary art to juxtapose possible relationships between the two. In the historical context the gesture becomes figurative, however as a comment on the contemporary the figurative is manipulated to imply the gestural.

Leah Michelle

Courtauld Institute of Art (MA Art History , 2009)

Leah’s vibrant multi-layered acrylic paintings are created with the idea of capturing the beauty that is always around us. Her primary focus is creating beautiful works of art that make viewers smile and live in the moment. Her background in Italian Renaissance Art influences her use of compositional constraints combined with loose, distinct brushstrokes to purposefully provide the viewer with a way to relate directly with the organised painted surface. It depicts the essence of how colour can be the source of beauty in itself regardless of the subject matter.

Bryan Lavelle

Winchester School of Art (MA Fine Art - Painting , 2007)

My work is an investigation into the properties of my chosen materials and the process of painting.

Artists who influence and inform my practice include; Ian Davenport, Jason Martin, Liam Gillick, Dan Flavin, Richard Wilson, Alexis Harding, Anish Kapoor and Robert Ryman.

Some of the processes used within my work are -

Use of poly-chromatic colour

Repetition of form

Harnessing of uncontrollable factors such as gravity

Harnessing of unpredictable characteristics of paint

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Emmanuel Okoro

University of the Arts London (BA Fine Art Sculpture , 2015)

Emmanuel Okoro is a London-based sculptor originating from the Delta Region of Nigeria.

His interest in storytelling and themes of tribal ancestry, humanity, legacy and immortality are consistent threads that weave their way through his practice and continue to inspire the evolution of his narrative.

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